As we looked back at our work as a whole we asked ourselves to identify ideas, themes or approaches that two projects shared. These were mostly accidental common threads, and it created a different way of thinking about the book — as a field of pairings rather than ordered from start to finish.
It also invited the reader to make their own connections and perhaps pair projects differently to us. Two models we submitted for an exhibition in at the Pin-Up Project Space first tested the technique of pairing projects to illustrate the migration of ideas that occurs organically, and often subconsciously, within our practice. Our book is as much about the people in and around the practice as it is about the projects we create together. The way that we work with each other inside our studio space, as co-authors and co-producers, extends to how we work with others outside it… like clients, engineers, builders, fabricators, craftspeople and artists.
The practice is bigger than us alone. The interleaf pages of the book, that are discovered between projects and essays, are a collection of archival images that often focus on these relationships between people — invariably loyal, sometimes humorous, and often joyful. Curiously, we did not figure out a name for the book until the end. A working title of Volume 2 was only ever temporary. One of the last tasks of our graphic designers was to consider the cover and this prompted us to make long lists of alternatives.
No longer just a book, and never really a monograph, it now had a character of its own. Architectural monographs can create an important voice for architects in an industry where their role is increasingly marginalised. They can be a fantastic source of inspiration and reflection, but at what cost to architectural debate when created by individual practices talking about themselves?
How will they remain relevant in an ever-increasing range of screen and tablet media? This assumes a diverse audience of interested and informed readers.
Foster Associates: Recent Works (No 20)
They can reinforce the stereotypes of architect as a personal aesthetician. This type argues arcane positions with polemical essays in the margins of practice. They may make sense of the work from a personal practice perspective, but rarely engage with a wider audience or worldview. Too often monographs emphasise an artificial design process with little long-term relevance. Such dialogue can suit a design audience, but even then what message does this send to our next generation? Another critique of the personal perspective monograph is they often support the perception and characterisation of architecture as purely a material and spatial exercise.
This can miss the poetic richness that accompanies an architecture founded on the human experience of occupation. The monograph may be relegated to a gift to clients and colleagues, as on-shelf sales reduce and online searches reveal a plethora of weighty tomes often sold more to overseas hunters. Series description. Related series Architectural monographs.
How do series work? Helpers AnnaClaire 38 , missmeaty 8 , BogAl 2 , smcwl 1. Series: Architectural Monographs Series by cover 1—7 of 33 next show all. Venturi and Rauch : the public buildings by David Dunster. Hector Guimard by Gillian Naylor. James Gowan by David Dunster. Alvar Aalto by Alvar Aalto.
Foster Associates: Recent Works (No 20) - AbeBooks:
Michael Graves by David Dunster. Edwin Lutyens by David Dunster. John Soane by G.
Terry Farrell by Frank Russell. Richard Rogers and Architects by Peter Cook. The architectural scene at this time was would be sold at par to deserving younger partners.
We had helped give rise to a new There is no denying that the world economy shapes revolutionise urban pedestrian circulation patterns; tropical regionalism. With new leadership came Empowered by its extensive experience in retail now a firmly established practice, was faced with a expansion, growth and a host of new ideas, such as and commercial development from the early s, new set of challenges.
The debate: the monograph
Unlike the many firms that combining off-form concrete with pre-cast concrete DPA secured a commission for one of the largest quickly reduced their staff strength in an effort to in the design of the Orchard Telephone Exchange in commercial sites slated for mixed development in cut operation costs, DPA took a non-conventional , and experimenting with dynamic architectural the newly reclaimed Marina Centre in Working approach with a decision among the partners forms in the Yeo Hiap Seng Factory in By the early s, the reputation of Design the largest of its kind to be undertaken in South- Partnership was firmly established.
The firm had east Asia when completed in For example, practice of DPA has been driven by a deep- resources and sharpen its competitive edge. The the government-sponsored Singapore Mass Rapid corridor connecting reconstructed shophouses firm approaches each project as the continuation Transit system, public sector work ingrained our and a new 5-star hotel built in — and in Far of an ongoing exploration in shaping the public professionals with a highly specialised technical skill East Square — a heritage conservation project in domain.
Our consistency does not attune to set. By globally. More than at any time in the past, there is a Through the s a new generation of directors winning an international design competition for growing need for DPA to re-invent itself, to synthesise became groomed for leadership — Arthur Loh, Esplanade — Theatres on the Bay in collaboration complex ideas as clear solutions.
By the new millennium to continuously hone their design skills in order Despite our growing size, our ideals remained DPA had extended its design works beyond to deliver projects of outstanding quality. This new set of leaders possessed a shared including China and the Middle East. Today we work firm to even greater heights.
DP Architects believes this element can that inject new vitality into the city fabric. The urban projects serve as resonate deeply with urban inhabitants around the world. These projects pioneering model of an integrated community, sports and lifestyle hub and others employ city rooms as social centre points: Emaar Square Mall in Singapore purposefully designed to instil a greater sense of pride and is inspired by Istanbul street life with a sequence of activity nodes and a belonging among the Tampines residents.
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- The debate: the monograph!
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The city room is Middle East, and Europe. It can take many forms: a space 24 Jane Jacobs, The Death and Life of Great American Cities, New York: planned at the crossing of pedestrian paths, an atrium at the heart of a 1 mall, a sidewalk, a network of green recreation spaces.
It is an event space Random House, In functional requirements for the modern urban an increasingly mobile and digital age, fresh mall. The social and commercial importance of the interpretations of the spatial experience of the mall continues to grow, and as it does, DP explores physical mall are essential.
Building at this scale becomes a social spaces. Having undertaken the design and practice of experiential space planning in which the transformation of many shopping malls along human movement is embraced and the architecture Orchard Road and in cities around the world over of the pedestrian is appreciated on foot.
Experiential the years, DP has built an extensive expertise on retail has come to represent the architecture and different types of shopping mall concepts that has urbanism of mall complexes, the activities these put the firm on the forefront of retail development multifunctional spaces offer, and the social and in Asia. Restoration encouraging visitors to feel at home in a new place. DP Architects pursues relationships.
For resorts situated within the urban a holistic approach in its hospitality building design, fringe, built spaces are distributed across the synthesising the technical and the functional to landscape to bind guests intimately with nature. DP Architects has applying principles of connectivity and shared been able to contribute to the general quality of amenities. The projects which are focused on the building of a nation in this portfolio are defined by clear pedestrian made of strong communities. All about raising a circulation routes, spaces for social bonding resilient population and inclusive communities, our and nodes of interaction for groups of all sizes, sporting facilities are world-class developments designed for rich programmatic diversity and to renowned for being specialised yet multi-faceted.
They encompass recreational spaces and amenities, flexibly stitched together to accommodate major In our large-scale sports and recreation projects, sporting events, community-based activities and deliberately rooted to specific social causes and leisure, at an international and local level, for both local context, DP Architects has been able to the young and the old. The design goal is to inclusion and active participation are at the core of transform these spaces into public destinations what makes a city vibrant. These spaces perform where people intermingle and connect over as social hubs that support, connect and inspire.
Thus, when tasked to conceptualise an architecture of such purpose and capacity, the Each project within this portfolio features responsibility of the architect goes beyond design; architectural articulations unique to its cultural the commitment is to the people and place-making. As public with the people and for the people. Translating destinations, our spatial programming weaves in all these elements into thoughtful programming nodes of interaction for people.